{"id":34834,"date":"2013-03-01T16:52:50","date_gmt":"2013-03-01T16:52:50","guid":{"rendered":"http:\/\/www.ou.org\/holidays\/?p=34834"},"modified":"2016-09-19T07:06:47","modified_gmt":"2016-09-19T07:06:47","slug":"chad-gadya","status":"publish","type":"post","link":"https:\/\/www.ou.org\/holidays\/chad-gadya\/","title":{"rendered":"Chad Gadya"},"content":{"rendered":"<p>As the <em>Seder <\/em>night ebbs away, long after the Four Questions have been asked and answered, after the festive meal has been eaten and the post-feast drowsiness descends; after the evening\u2019s <em>mitzvot <\/em>have been observed and the fourth cup of wine emptied, we raise our voices in a curious, delightful, seemingly whimsical song at the end of the <em>Haggadah<\/em>. <em>Chad Gadya. <\/em>This lively tune is, at once, one of the most popular of the many <em>Pesach <\/em>songs and, at the same time, one of the strangest.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"attachment-266x266 size-266x266 alignright\" src=\"https:\/\/www.ou.org\/holidays\/files\/Goat-e1474267116732-768x513.jpg\" sizes=\"auto, (max-width: 266px) 100vw, 266px\" srcset=\"https:\/\/www.ou.org\/holidays\/files\/Goat-e1474267116732-768x513.jpg 768w, https:\/\/www.ou.org\/holidays\/files\/Goat-e1474267116732-300x200.jpg 300w, https:\/\/www.ou.org\/holidays\/files\/Goat-e1474267116732.jpg 800w\" alt=\"Goat\" width=\"266\" height=\"178\" \/>On the surface, <em>Chad Gadya <\/em>appears to be nothing so much as a simple folk tune. Perhaps even a nursery rhyme suitable for the \u201cyoungest amongst us\u201d, the very child who sang the Four Questions early in the Seder. Like so many nursery rhymes, it is filled with odd images and paradoxes. An egg perched upon a wall? A fork running away with a spoon? A cow jumping over the moon? Two young children tumbling down the hill?<\/p>\n<p>What are we to make of these curious images? Likewise, what are we to make of a song that seems, on its surface, to be about the purchase of a goat? While it is possible to enjoy the song just in the singing, to become enraptured by the <em>p\u2019shat <\/em>of the song, the paradoxes and troubling images draw us deeper into the song, searching for its meaning and significance.<\/p>\n<p>And why have the rabbis placed this strange song in the Haggadah?<\/p>\n<p>Certainly, it keeps the children awake so that the end of the Seder night is as filled with delight as its beginning. But more than that, the song is part of a sublime and meaningful religious-<em>halachic <\/em>experience. About goats? What does <em>Chad Gadya<\/em>, a song worthy of Dr. Seuss, a song that goes on and on about goats, cats, dogs, sticks, and butcher shops have to do with the <em>leil shimurim<\/em>, the night of <em>geula <\/em>and redemp\u00adtion?<\/p>\n<p>Is this any way to conclude <em>sippur Yetziat Mitzrayim<\/em>?<\/p>\n<p>Perhaps <em>Chad<\/em> <em>Gadya, <\/em>in its guise of a nursery rhyme is no different than the <em>Afikomen<\/em>, one more in a series of games and songs and techniques to stimulate and motivate the interest and curiosity of the youngest amongst us on the Seder night. By the end of the Seder, after the <em>Afikomen <\/em>has been found and its reward exacted, after the story has been told and the festive meal consumed, the children grow sleepy and want nothing more than to curl up in their mothers\u2019 laps and enjoy a well-deserved <em>schluff<\/em>. But no, not yet! It is not yet time to slumber and so we continue the many and seemingly strange things at the <em>Seder <\/em>to keep the children awake. So, we arrive at the lively and <em>lebedig<\/em> songs that culminate in <em>Chad Gadya.<\/em><\/p>\n<p>Okay, it is delightful to children. But what is its significance for adults?<\/p>\n<p>And even if the song\u2019s purpose is to keep the children awake, the song\u2019s theme and images are depressing and cruel. Despite the melody, this is no amusing little ditty. No character escapes unscathed in <em>Chad Gadya<\/em>. The kid is innocent and harmless, but the cat consumes him. The dog takes revenge on the cat, but the dog then gets a beating. The stick beats the dog, but then gets burnt by the fire and so on and so on until the song\u2019s climax, the grand finale of the entire Haggadah which comes with a triumphant crescendo.<\/p>\n<p><em>Then came the Holy One, blessed be He, and smote the angel of death, that slew the slaughterer, that slaughtered the ox, that drank the water, that quenched the fire, that burned the stick, that beat the dog, that bit the cat, that ate the kid, that father bought for two zuzim. One only kid, One only kid.<\/em><\/p>\n<p>God has entered the scene.<\/p>\n<p>His involvement in the song\u2019s turn of events certainly means that <em>Chad Gadya <\/em>cannot be understood only as a simple, whimsical rhyme. And so it turns out that this deceptively simple song is filled with insightful lessons. In fact, <em>Chad Gadya<\/em> incorporates one of the most fundamental elements of <em>emunah<\/em>. As such, it <em>belongs <\/em>as the grand finale of the entire <em>Haggadah.<\/em><\/p>\n<p>Over the centuries, differing interpretations have been offered to explain the song. Many see in its dark imagery the history of Israel, the lone, innocent kid. The father <em>Avinu Shebashamayim<\/em>, selected the lone kid, when giving two <em>zuzim<\/em>, two tablets of the covenant. The animals, objects and people who subsequently destroy and beat one another are the various nations that persecuted, subjugated and oppressed the \u201cone lamb among the seventy wolves\u201d throughout history. Ultimately the Holy One, blessed be He, comes to bring about the final redemption of His beloved kid, who remained alone and separated front the devouring nations.<\/p>\n<p>Another explanation takes the form of a debate between a Jew and an Egyptian. Framing this interpretation is the understanding that the kid is an animal both deified and worshipped by the Egyptians. Seeing in this deification the essence of idolatry, the Jew wonders how the Egyptian can worship a kid that can be devoured by a cat. When the Egyptian responds that he will then worship the cat, and the Jew retorts that a dog can overpower the cat, the Egyptian quickly transfers his allegiance to the dog. The debate persists until the Jew concludes, \u201cBut all powers on earth are subservient to the Holy One Blessed be He, Why don\u2019t you finally realize that only He is to be worshipped?\u201d<\/p>\n<p>Another understanding views the goat as man\u2019s soul which descends (\u201csold by the father\u201d) to this earthly existence and suffers through the trials and tribulations of life as it moves (<em>zuz-zazin<\/em>) about in this world. Each stanza of the song symbolizes another phase and stage of life as we know it. As life progresses and years pass by, man is called to task, \u201c <em>Chad Gadya, Chad Gadya <\/em>\u2013 Unique soul! Unique soul! \u2013 What have you accomplished on this world? What are you doing here?\u201d But at each step and every stage, man procrastinates, thinking that there will always be time to tend to the spirit and soul. \u201cLater\u201d however, never comes. Finally, man is warned that in due time the soul will have to return to its source and give reckoning for its deeds.<\/p>\n<p>Ultimately, every man must answer to a higher Source!<\/p>\n<p>The <em>Chatam Sofer <\/em>brings <em>Chad Gadya <\/em>closer to Pesach, and finds therefore a parallel between this very last song and the very first <em>Haggadah <\/em>paragraph, \u201cThis is the Bread of Affliction\u201d. Both are in Aramaic. Both were authored subsequent to the <em>galut <\/em>and renewed exile from <em>Eretz Yisrael. <\/em>Both are forms of elegies (<em>kinah<\/em>) bemoan\u00ading the renewed <em>galut<\/em>, recalling when <em>matzah<\/em> was eaten not as the bread of affliction but as the bread of freedom and when the Pesach was attended by the pageantry of a Temple sacrifice in Jerusalem. Now we eat <em>matzah<\/em>, but again as the bread of affliction. Likewise, we recall the entire service of Pesach, which encompassed the offering of both a Pesach sacrifice and a <em>Chagigah Korban (chad gadya<\/em>, <em>chad<\/em> <em>gadya) <\/em>which were bought for <em>shtei<\/em> <em>kesef <\/em>(two <em>zuzim). <\/em>And now, <em>chad<\/em> <em>gadya, chad gadya<\/em>\u2014woe unto us how we have lost two beautiful <em>gediyim<\/em>! Who knows when the endless <em>galut <\/em>will cease, and we will again be able to rejoice in the rebuilding of God\u2019s Holy City, when we can once again partake of the sacrifices and <em>Pesach <\/em>offerings!<\/p>\n<p>So too, the Gaon of Vilna traces the theme of <em>Am Yisrael\u2019s <\/em>trials and tribula\u00adtions throughout its long sojourn in <em>galut<\/em>. The two <em>gediyim<\/em> bought by father are the ones purchased by father Yaakov and brought to Yitzchak on the night of Pesach. These were to become the dual <em>korbanot <\/em>offered on <em>Pesach, <\/em>which merited Yaakov the blessing of Yitzchak as well as the <em>bechorah<\/em>. The cat is the jealousy, the dog is Pharaoh, the stick is Moshe\u2019s staff, the ox is the Kingdom of Edom, the slaughterer is <em>Moshiach ben Yosef <\/em>who will be killed by the angel of death. \u201cThen came the Holy One, blessed be He\u201d who will redeem His people and nation and \u201craise the banner to gather our exiles.\u201d\u2018<\/p>\n<p>As many interpretations and meanings as interpreters! A review of these various understandings, however, always returns us to the central theme of <em>Chad Gadya<\/em>, the same theme that makes clear that the song is no child\u2019s ditty. That theme is, quite simply, that God is the Master of the world. No true story begins or ends without God. Whether we like it or not, whether we want it or not, whether we deign to recognize it or not, God must enter into every story of our individual and collective life. God is the Master of all. He conducts the affairs of the world in His fashion, and His fashion does not always conform to our own wants or selfish understandings. As a result, the world often appears chaotic, unfair, inexplicable, and in disarray. We too often forget or ignore that actions have consequences, and that there is no deed which, in the end, does not lead up to God. Each and every action, even one as \u201csimple\u201d and \u201cordinary\u201d as buying a goat (car! home!) in the market place, is part of a chain. Somewhere that chain will lead to God, and then all those involved in the chain that may even drag for thousands of years (<em>galut<\/em>) must answer before His throne of justice.<\/p>\n<p>Only God can bring together conflicting, seemingly destructive forces, into harmony. It is that harmony that is reality. The seeming chaos of life is the mirage.<\/p>\n<p>The final message then of the long, Seder night is not a silly song about goats, or cats, or dogs but that there is <em>seder <\/em>in what may appear to be confusion, chaos and uncertainty.<\/p>\n<p>God is. There is order and harmony.<\/p>\n<p>Reb Avraham Mordecai of Gur taught that a person may look at the saga of our people\u2019s history and conclude that our experience has been a series of random, often cruel, events. However, ultimately <em>Moshiach <\/em>will come. History has meaning. Life has purpose.<\/p>\n<p>God is.<\/p>\n<p>There is <em>seder.<\/em><\/p>\n<hr \/>\n<p><em>Rabbi Dr. Eliyahu Safran is OU Kosher\u2019s vice president of communications and marketing. He is the author of Kos Eliyahu \u2013Insights on the Haggadah and Pesach <strong>available from <\/strong><a href=\"mailto:safrane@ou.org\">safrane@ou.org<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As the Seder night ebbs away, long after the Four Questions have been asked and answered, after the festive meal has been eaten and the post-feast drowsiness descends; after the evening\u2019s mitzvot have been observed and the fourth cup of wine emptied, we raise our voices in a curious, delightful, seemingly whimsical song at the [&hellip;]<\/p>\n","protected":false},"author":296,"featured_media":41664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[350],"tags":[],"class_list":["post-34834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-passover"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Chad Gadya - Jewish Holidays<\/title>\n<meta name=\"description\" content=\"On the surface, Chad Gadya appears to be a simple folk tune, even a nursery rhyme. 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